In through the outdoor
±èÈ«¼®
2008. 4.17 - 2008. 5.19

  ÀÛ °¡ ¼Ò °³  
  ÀÛ °¡ ¾à ·Â  
  Àü ½Ã ÀÛ Ç° ¼Ò °³  
     
 
 


±èÈ«¼®Àº »çȸ ¼Ó¿¡¼­ ¹ß°ßÇÑ ¼ÒÀçµéÀ» º¯ÇüÇÏ¿© ÇϳªÀÇ ¡®À̾߱⡯¸¦ ¸¸µé¾î³½´Ù. ±×¸®°í ÀÌ À̾߱â´Â ±×¸², Á¶°¢, ºñµð¿À, ÆÛÆ÷¸Õ½º µî ´Ù¾çÇÑ ¸Åü·Î ½Ã°¢È­µÇ¾î »ç¶÷µé¿¡°Ô ÀÏ»óÀû ÁÖÁ¦¸¦ »õ·Î¿î ´«À¸·Î º¼ ¼ö ÀÖ´Â ±âȸ¸¦ Á¦°øÇÑ´Ù. ±×°¡ ¸¸µé¾î³½ À̾߱â´Â ¾óÇÍ ¾î󱸴Ͼø´Â Ç㱸ó·³ º¸À̱⵵ ÇÏÁö¸¸, ¿ì¸®°¡ »ì°í ÀÖ´Â »çȸ¿¡ ´ëÇÑ ³ÃöÇϰí ÁøÁöÇÑ ºñÆÇÀǽÄÀ» ´ã°í ÀÖ´Ù.

À̹ø Àü½Ã ¡®In through the outdoor (¹ÛÀ¸·Î µé¾î°¡±â)¡¯ ´Â Àΰ£ ¼ÒÅëÀÇ ¹®Á¦¿Í ¿ì¸® »çȸÀÇ ºÎÁ¶¸®¸¦ ÀÛ°¡ ƯÀ¯ÀÇ ºñÆÇÀû ÇØ¼®À» ÅëÇØ Ç¥ÇöÇÑ ÀÛǰµéÀ» ¼±º¸ÀδÙ. ¡®¹ÛÀ¸·Î µé¾î°¡±â¡¯¶ó´Â Àü½Ã Á¦¸ñ¿¡¼­ ´À²¸Áö´Â ¹ß»óÀÇ Àüȯ°ú µÚƲ¸° µíÇÑ ´µ¾Ó½º´Â ±èÈ«¼® ÀÛǰ¿¡¼­ Á¾Á¾ Ç¥ÇöµÇ´Â ¿ìȸÀûÀÎ ºñÆÇ°ú ÇØÇÐÀû ÀçÄ¡ÀÌ´Ù.

±¹Á¦ÀûÀ¸·Î Ȱ¹ßÇÑ È°µ¿À» ÇØ¿Â ±èÈ«¼®Àº ±× µ¿¾È º£´Ï½º ºñ¿£³¯·¹(ÀÌŸ®), À̽ºÅººÒ ºñ¿£³¯·¹(ÅÍŰ), Ƽ¶ó³ª ºñ¿£³¯·¹(¾Ë¹Ù´Ï¾Æ), ¹ß·»½Ã¾Æ ºñ¿£³¯·¹(½ºÆäÀÎ), ¿¡Ä¡ÄÚ Ã÷¸¶¸® Æ®¸®¿£³¯·¹(ÀϺ»), ŸÀÌÆäÀÌ ºñ¿£³¯·¹(ŸÀÌ¿Ï), ±¤ÁÖºñ¿£³¯·¹(Çѱ¹)¿Í °°Àº Áß¿äÇÑ ¹Ì¼ú Çà»ç¿¡ Âü¿©ÇؿԴÙ. »Ó¸¸ ¾Æ´Ï¶ó, ¿µ±¹ÀÇ ÇìÀÌ¿öµå °¶·¯¸®, ¿À½ºÆ®¸®¾ÆÀÇ ÄコƮÇÒ·¹ ºó, ÀϺ»ÀÇ ¸ð¸®¹Ì¼ú°ü, ¹Ì±¹ÀÇ ¿öÄ¿¾ÆÆ®¼¾ÅÍ µî ¼¼°è À¯¼öÀÇ ¹Ì¼ú°ü ±×·ì Àü½Ã¿¡ ´Ù¼öÀÇ ÀÛǰµéÀÌ ÃÊûÀü½Ã µÇ¾ú´Ù.

±èÈ«¼® ÀÛ°¡´Â 1964³â ¼­¿ï¿¡¼­ ž´Ù. 1987³â¿¡ ¼­¿ï´ëÇб³ ¹Ì¼ú´ëÇÐ Á¶¼Ò°ú¸¦ Á¹¾÷ÇÑ ÈÄ µ¶ÀÏ µÚ¼¿µµ¸£ÇÁ ÄコƮ ¾ÆÄ«µ¥¹Ì¿¡¼­ ¼öÇÐÇßÀ¸¸ç, ÇöÀç »ó¸í´ëÇб³ ¿¹¼ú´ëÇÐ °ø¿¬ÇкÎÀÇ ¹«´ë¹Ì¼ú Àü°ø ±³¼ö·Î ÀçÁ÷ ÁßÀÌ´Ù.
  [top]   

±èÈ«¼®

1964³â ¼­¿ï Ãâ»ý
ÇöÀç Çѱ¹¿¡ °ÅÁÖÇϸç ÀÛǰȰµ¿, »ó¸í´ëÇб³ ¿¹¼ú´ëÇÐ °ø¿¬ÇкΠ¹«´ë¹Ì¼ú Àü°ø ±³¼ö·Î ÀçÁ÷


¡á ÇзÂ
1987 ¼­¿ï´ëÇб³ ¹Ì¼ú´ëÇÐ Á¶¼Ò°ú Á¹¾÷
1992 ºê¶ó¿î½¬¹ÙÀÌÅ© ¹Ì¼ú´ëÇб³ ¼ö·á(Ben Willikens ¼öÇÐ), µÚ¼¿µµ¸£ÇÁ, µ¶ÀÏ
1996 µÚ¼¿µµ¸£ÇÁ ÄコƮ ¾ÆÄ«µ¥¹Ì Á¹¾÷(Klaus Rinke ¼öÇÐ), µÚ¼¿µµ¸£ÇÁ, µ¶ÀÏ


¡á ÀÔÁÖ ÀÛ°¡
2003
Cite International des Arts, ÆÄ¸®, ÇÁ¶û½º

2001
P.S.1 International Studio Program, ´º¿å, ¹Ì±¹

1999
¸ÅÆ®·¹½º ÆÑÅ丮 ¹Ì¼ú°ü, ÇÇÃ÷¹ö±×, ¹Ì±¹
¾ÆÆ®/¿À¸¶ÀÌ ·¹Áö´ø½Ã ÇÁ·Î±×·¥, ´º¿å, ¹Ì±¹

1998
½ÓÁö ½ºÆ©µð¿À, ¼­¿ï


¡á ½ºÅ©¸®´×
2007
¾ÆÆ®¹ÙÁ© 38 / ¾ÆÆ®Çʸ§, ¹ÙÁ©, ½ºÀ§½º
ºñµð¿À ÀÎ ¼­¿ï, ¹Ì·Î ½ºÆäÀ̽º, ¼­¿ï

2006
Á¦ 6ȸ ¼­¿ï ¹Ìµð¾î Æä½ºÆ¼¹ú, ½ºÆäÀ̽º ·çÇÁ, ¼­¿ï
Move on Asia, ½ºÆäÀ̽º ·çÇÁ, ¼­¿ï

2005
º£¸®ÄÚ¸®¾ÈÄÞÇ÷º½º, ½Ã³× Å¥ºê ¿µÈ­°ü, ¼­¿ï


¡á °³ÀÎÀü
2008
In through the outdoor, ±¹Á¦°¶·¯¸®, ¼­¿ï

2005
Neighbor's wife, Ä«À̽º °¶·¯¸®, ¼­¿ï

2004
Cosmo Vitale, REDCAT Gallery, ·Î½º¿£Á©·¹½º, ¹Ì±¹
Antarctica, ¾ÆÆ®¼±Àç¼¾ÅÍ, ¼­¿ï

2001
Retro Bistro, ½ºÆäÀ̽º ·çÇÁ, ¼­¿ï

2000
Heromaniac, °¶·¯¸® Çö´ë, ¼­¿ï

1998
I'm gonna be a number one, ±Ý»ê °¶·¯¸®, ¼­¿ï


¡á ´ÜüÀü / ±¹Á¦ ºñ¿£³¯·¹ - Æ®¸®¿£³¯·¹
2008
Laughing in a Foreign Languages, ÇìÀÌ¿öµå °¶·¯¸®, ·±´ø, ¿µ±¹
Too Early For Vacation, ¸®¸Ó¸¯ ½ÃƼ °¶·¯¸®, ¸®¸Ó¸¯, ¾ÆÀÏ·£µå

2007
Elastic Taboos, Kunsthalle Wien, ºñ¿£³ª, ¿À½ºÆ®¸®¾Æ
All about Laughter, ¸ð¸®¹Ì¼ú°ü, µµÄì, ÀϺ»
Somewhere in Time, ¾ÆÆ®¼±Àç¼¾ÅÍ, ¼­¿ï
Charge your Imagination, °æ±âµµ ¹Ì¼ú°ü, °æ±âµµ
Soft Power- World Women¡¯s Forum, È£¾Ï¾ÆÆ®°¶·¯¸® & WÈ£ÅÚ, ¼­¿ï
Á¦ 10ȸ À̽ºÅººÒ ºñ¿£³¯·¹-Not Only Possible, But Also Necessary ? Optimism in the age of global war, À̽ºÅººÒ, ÅÍŰ
Peppermint Candy, Museo de Arte Contemporaneo, »êƼ¿¡°í, Ä¥·¹
Beautiful New World: Contemporary Culture from Japan, B.T.A.P, Inter Arts Center, º£ÀÌ¡, Áß±¹
Brave New Worlds, ¿öÄ¿¾ÆÆ®¼¾ÅÍ, ¹Ì³×¾ÆÆú¸®½º, ¹Ì±¹
Åõ¸ð·Î¿ì, ±ÝÈ£¹Ì¼ú°ü, ¼­¿ï
Activating Korea: Tides of Collective Action, Govett Brewster Art Gallery, ´ºÁú·£µå
¾È¾ç °ø°ø ÇÁ·ÎÁ§Æ® 2007, ¾È¾ç
Beautiful New World-Contemporary Visual Culture Japan, ±¤µ¿¹Ì¼ú°ü, ±¤Àú¿ì, Áß±¹

2006
Alllook same: ArtChinaKoreaJapannext, Fondazione Sandretto Re Rebaudengo, Æ©¸°, ÀÌŸ®
ºÎµå·¯¿ò, ¼Ò¸¶¹Ì¼ú°ü, ¼­¿ï
Á¦6ȸ ±¤ÁÖ ºñ¿£³¯·¹-¿­Ç³º¯ÁÖ°î: Remapping Global Cities, ºñ¿£³¯·¹°ü, ±¤ÁÖ
»çÃá±â ¡ÈÄ Àü, ·Î´ó°¶·¯¸®, ¼­¿ï
EXPOSED: Black box & Crystal Ball, ·±´ø ÁÖÀÇȸ ÀÇ»ç´ç & Çì·Ô ¹éÈ­Á¡, ·±´ø, ¿µ±¹
¿ìÇ¥°¡ µÇ·Á´Â ±×¸²Àü, SBS ¾ÆÆ®¸®¿ò, ¼­¿ï

2005
Ƽ¶ó³ª º£¿£³¯·¹-Sweet Taboos, National Gallery of Arts Tirana, ¾Ë¹Ù´Ï¾Æ
¹ß·»½Ã¾Æ ºñ¿£³¯·¹-Thoughts of a fish in deep sea, Convento di Carmen, ¹ß·»½Ã¾Æ, ½ºÆäÀÎ
51ȸ º£´Ï½º ºñ¿£³¯·¹-Secret Beyond the Door, Çѱ¹°ü, º£´Ï½º, ÀÌŸ®
Seoul: Until Now!, Charlottenborg Udstillingsbygning, ÄÚÆæÇϰÕ, µ§¸¶Å©
Packed/Unpacked II; Alice in My Heart, ½ÓÁö â°í °¶·¯¸®, ÇìÀ̸®
40x40 Project, ½ºÆäÀ̽º ·çÇÁ, ¼­¿ï

2004
Contemporary Senses- Zone of Urgency, Villa Zerbi, ·¹Áö¿À Ä®¶óºê¸®¾ß, ÀÌŸ®
My Name is Game, ÀÎ»ç¾ÆÆ®¼¾ÅÍ, ¼­¿ï
Stranger than Paradise, ÅäÅ»¹Ì¼ú°ü, ¼­¿ï

2003
¾ÆÆ®¼±Àç¼¾ÅÍ °³°ü 5Áֳ⠼ÒÀåǰÀü, ¾ÆÆ®¼±Àç¼¾ÅÍ, ¼­¿ï
50ȸ º£´Ï½º ºñ¿£³¯·¹-Dreams and Conflicts, ¾Æ½º³¯·¹, º£´Ï½º, ÀÌŸ®
Everyday- Contemporary Art from Asia, Kunstforeningen, ÄÚÆæÇϰÕ, µ§¸¶Å©
¿¡Ä¡ÄÚ Ã÷¸¶¸® Æ®¸®¿£³¯·¹, ´Ï°¡Å¸, ÀϺ»

2002
Under Construction, µµÄì ¿ÀÆä¶ó ½ÃƼ ¾ÆÆ® °¶·¯¸®, µµÄì, ÀϺ»
Listening to New Voices, P.S.1 Contemporary Art Center, ´º¿å, ¹Ì±¹
Á¦ 4ȸ ±¤ÁÖ ºñ¿£³¯·¹-Á¤Áö, ºñ¿£³¯·¹°ü, ±¤ÁÖ
ȯŸÁö¾Æ-°ø»ç Áß, À̽ºÆ® ¾ÆÆ®¼¾ÅÍ, º£ÀÌ¡, Áß±¹
ASIANVIBE, Espai d'Art Contemporani de Castello, Ä«½ºÅÚ·Î, ½ºÆäÀÎ

2001
ȯŸÁö¾Æ, ½ºÆäÀ̽º À̸¶, ¼­¿ï
My home is yours / Your home is mine, µµÄì ¿ÀÆä¶ó ½ÃƼ ¾ÆÆ® °¶·¯¸®, µµÄì, ÀϺ»

2000
Double Space, ¿µÀº ¹Ì¼ú°ü, ±¤ÁÖ
³ªÀÇ ÁýÀº ³ÊÀÇ Áý/³ÊÀÇ ÁýÀº ³ªÀÇ Áý, ·Î´ó°¶·¯¸®, ¼­¿ï
ÀþÀº ¸ð»ö-»õ·Î¿î ¼¼±â¸¦ ÇâÇÏ¿©, ±¹¸³Çö´ë¹Ì¼ú°ü, °úõ
ŸÀÌÆäÀÌ ºñ¿£³¯·¹-The Sky Is the Limit, ŸÀÌÆäÀÌ ÆÄÀÎ¾ÆÆ® ¹Ì¼ú°ü, ŸÀÌÆäÀÌ, ŸÀÌ¿Ï

1999
½Ã°¢¹®È­-¼¼±âÀÇ Àüȯ, ¼º°î ¹Ì¼ú°ü, ¼­¿ï
No Parking, ¾ÆÆ®¼±Àç¼¾ÅÍ, ¼­¿ï
Asian Exhibition, ¸ÅÆ®·¹½º ÆÑÅ丮 ¹Ì¼ú°ü, ÇÇÃ÷¹ö±×, ¹Ì±¹
Phobia, ÀϹι̼ú°ü, ¼­¿ï
  [top]